Matt Maytum
‘Supergirl’ review: Milly Alcock is exceptional in this bubbly, watchable hero flick
Superman’s cousin flies solo, with a little help from Jason Momoa’s loco Lobo
‘Life, Larry And The Pursuit Of Unhappiness: An Almost History Of America’ review: curb your enthusiasm for Larry David’s return
The Barack Obama-produced potted history of the US features a few inspired moments, spread far too thin
‘Backrooms’ review: meme-based horror runs on unsettling vibes and creepy visuals
YouTuber Kane Parsons’ viral web series leaps onto the big screen
‘The Drama’ review: Zendaya and Robert Pattinson’s darkly funny wedding comedy should come with a trigger warning
The controversial subject matter will have everyone talking about A24’s latest
‘Jury Duty Presents: Company Retreat’ review: elaborate prank show sequel ups the ante
Unknowing victim Anthony finds himself surrounded by actors on the team-building getaway from hell
‘Strip Law’ review: Netflix’s animated legal comedy is crude, silly and very funny
'Severance’s Adam Scott leads the voice cast of this surreal cartoon sitcom
‘Wuthering Heights’ review: this sexed-up reimagining is a bonking success
Emerald Fennell does away with Victorian stuffiness in her saucy take on Brontë's Yorkshire romance
‘Wonder Man’ review: matey, meta Marvel show makes for loads of fun
Yahya Abdul-Mateen II and Ben Kingsley head up the MCU’s answer to ‘The Studio’
‘Avatar: Fire And Ash’ review: James Cameron’s sci-fi epic is running out of steam
The VFX and 3D wow in a sequel that treads familiar ground
‘All Her Fault’ review: Sarah Snook’s gut-wrenching who-took-them thriller
Returning to TV after the breakout success of ‘Succession’, she stars as the suspicious mother of a missing child
‘Tron: Ares’ review: Nine Inch Nails’ pulsating score saves this muddled sci-fi sequel
It looks and sounds great but the third entry in the futuristic tech drama is more style over substance
‘Spinal Tap 2: The End Continues’ review: mock and roll granddads gets their spoof on once more
If this legacy sequel doesn’t quite raise the roof, it raises more than enough smiles