Film Reviews
‘The Invite’ review: RSVP yes to this wickedly relatable dinner-date drama
There's something horribly accurate about director Olivia Wilde's indie portrait of coupledom
‘Jackass: Best And Last’ review: silly stunts and fond farewells
Time for one final goodbye to the kings of bloody, puerile pranks
‘Supergirl’ review: Milly Alcock is exceptional in this bubbly, watchable hero flick
Superman’s cousin flies solo, with a little help from Jason Momoa’s loco Lobo
‘Disclosure Day’ review: Spielberg remains the master of sci-fi blockbusters
His latest features alien languages, shady government organisations and quite a bit of mind-reading
‘Scary Movie’ review: parody reboot is horrifyingly unfunny
The Wayans Family has risen again for this woeful noughties throwback
‘Erupcja’ review: Charli XCX’s indie summer getaway
It’s off with the chains of love in Pete Ohs’ romantic drama
‘Backrooms’ review: meme-based horror runs on unsettling vibes and creepy visuals
YouTuber Kane Parsons’ viral web series leaps onto the big screen
‘John Lennon: The Last Interview’ review: AI images dull this otherwise devastating documentary
The archive material and new interviews are incredibly poignant – everything else is a waste of time
‘The Mandalorian And Grogu’ review: a strong and forceful Star Wars spin-off
Get ready for the second wave of Baby Yoda fever
‘Obsession’ review: the year’s most terrifying horror film so far
Put your hands over your face and clamp your popcorn bucket between your knees
‘Iron Maiden: Burning Ambition’ review: shock and roll with metal’s new wave pioneers
From East End upstarts to stadium-filling rock giants
‘Hokum’ review: for good and ill, this haunted hotel chiller earns its title
Adam Scott stars as a misanthropic American author in spooky rural Ireland