Otis Robinson
Underscores – ‘U’ review: zeitgeisty hyperpop for an overstimulated, isolated generation
A tour-de-force of production chops that cements April Harper Grey as a key auteur in the future of the genre
Elsas makes choral, Spanish alt-pop for lover girls: “Getting my heart broken is a great muse”
Positioning classicality versus contemporaneity, the Spanish musician’s latest EP ‘Aporiamor’ careens from cerebral balladry to buzzing electronica
Jessica Winter – ‘My First Album’ review: cementing her stake in the campy queer pop game
A whiplashing alt-pop debut that rarely strays from its goal of being really good fun, a little bit weird and undeniably camp
Underscores: the hyperpop satirist refusing to regress
After breaking out with a slasher-inspired critique of the American Dream, electronic experimentalist April Harper Grey is turning her focus to emotion and comfort
Courting – ‘Lust For Life…’ review: a heady return from Liverpool genre-hoppers
The British guitar outfit’s third – another ambitious, alternative project – sandwiches classic indie-pop between gutsy art-rock experimentalism
Magdalena Bay – ‘Imaginal Disk’ review: a time capsule of post-internet existentialism
The duo’s second album captures the visionaries at their most expansive: kaleidoscopic and overproduced in all the right ways
Elkka – ‘Prism Of Pleasure’ review: contemplative yet club-ready bangers
This stirring and thoughtful debut proves that the Welsh DJ evidently finds a great sense of catharsis in sharing her world with her listeners
Ericdoa – ‘DOA’ review: dials down the hyperpop without sacrificing vision
Restless and electrifying, this mixtape sees the 21-year-old fuse elements of pop-rock and shoegaze with glitchy bombast