Jordan Bassett
Jordan Bassett is a music and culture journalist who has written for NME, Spin, BBC Music, Kerrang!, Wallpaper*, Grazia, Time Out and many more. He is the former Commissioning Editor (Music) at NME, where he worked for almost a decade. His book Here’s Little Richard is published by Bloomsbury.
How ‘Nirvanna The Band The Show The Movie’ remixes reality: “It creates this delirious feeling”
Matt Johnson and Jay McCarrol talk us through their must-see mockumentary
Cypress Hill applauded for looking after “unwell” crowd member at Rock In Rio Lisbon festival 2026
Paul McCartney defends lyrics to ‘Momma Gets By’: “There’s a lot of strong women out there”
The Beatles icon was speaking to comedian Rob Brydon about his Number One album ‘The Boys of Dungeon Lane’ onstage at London’s Roundhouse, where he also paid tribute to the late Rob Reiner
Modest Mouse on gnarly new album ‘An Eraser and a Maze’ and the “incredibly shocking” death of drummer Jeremiah Green
Frontman Isaac Brock also opened up about reviving his cult side project Ugly Casanova, his love of magic mushrooms, and potentially touring landmark album ‘We Were Dead Before the Ship Even Sank’ with Johnny Marr
‘Scary Movie’ review: parody reboot is horrifyingly unfunny
The Wayans Family has risen again for this woeful noughties throwback
Paul McCartney – ‘The Boys Of Dungeon Lane’ review: a guided tour of the long and winding road
With a little help from Ringo, pop’s twinkly eyed granddad gets nostalgic on an album that also finds him pushing forward musically
‘Hokum’ review: for good and ill, this haunted hotel chiller earns its title
Adam Scott stars as a misanthropic American author in spooky rural Ireland
Soundtrack Of My Life: Rita Wilson
Musician, actor, film producer and viral hip-hop legend
‘Lee Cronin’s The Mummy’ review: fresh, frightening take on a classic movie monster
A fun, dumb thrill ride with buckets of guts, gore and false gnashers
‘Ready Or Not 2: Here I Come’ review: devilish horror comedy sequel is a rehash of the original
Despite some fresh blood with Elijah Wood and Sarah Michelle Gellar, this follow-up cheerfully tells the same gory story
‘Louis Theroux: Inside the Manosphere’ review: one of the greatest documentaries of his career
A meta masterpiece that tackles toxic masculinity, conspiracy theories and so much more
‘EPiC: Elvis Presley In Concert’ review: a sensational but superficial love letter to the King
Baz Luhrmann’s “tone poem” documentary summons the singer’s majesty but fails to dig any deeper