Dhruva Balram
Page 6
Omar Souleyman – ‘Shlon’ review: the prolific dance-pop don offers a much-needed shot of happiness
The Syrian wedding singer – and so much more – has amassed a staggering 500 records so far. His jubilant sounds, set to love poetry, continue to astound
Lil Peep – ‘Everybody’s Everything’ review: a gentle reminder of what the late rapper could have achieved
Last year's first posthumous release expanded the pioneering musician's legacy. This second collection is much rougher, like a set of demos with features tacked on
Cartel Madras are creating “Goonda Rap”, their very own rap genre
Clams Casino – ‘Moon Trip Radio’ review: the pioneering producer weaves ambient instrumentals that need more bite
Producer extraordinaire Michael Volpe made his name by helping other artists find their voices – and they perhaps need to return the favour
Earl Sweatshirt – ‘Feet Of Clay’ review: an emotional stream-of-conscious epilogue to ‘Some Rap Songs’
Danny Brown – ‘uknowhatimsaying¿’ review: a hellraiser reflects on a life lived at full speed
Joe Armon-Jones: “Reading a review is like someone coming up to you on the street and saying, ‘Your kid’s ugly!’”
Joe Armon-Jones – ‘Turn To Clear View’ review: a cross-pollination of sounds that reflect modern Britain
Raveena Aurora: the cult hero carving a path for more South Asian artists
Cuco’s schmoozy, loved-up anthems might just unite the planet
Chance The Rapper – ‘The Big Day’ review
