Alex Flood
As Managing Editor (Entertainment), Alex covers all things film, TV and gaming. You'll find him reviewing the biggest and best titles each week, from 'Wednesday' to 'Stranger Things', 'Oppenheimer' to 'Barbie', as well as sitting down with A-list actors like Henry Cavill and Margot Robbie to bring you exclusive news, features and video interviews that you won't get anywhere else. Alex has previously written for The Guardian, Digital Spy and Metro
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‘Peep Show’ at 20: The El Dude Brothers remember their chaotic heyday
The men behind TV's most pitiful protagonists look back at a cult classic
‘A Haunting In Venice’ review: Kenneth Branagh’s tash-twizzling detective takes his hairiest case yet
Famous investigator Hercule Poirot finds himself in a scary situation on the Lido
‘Teenage Mutant Ninja Turtles’ creator thinks Marvel and DC dominance is easing
Both studios have experienced diminishing returns at the box office
ArrDee on his debut film role – and “big” new music collaborations
Brighton's most exciting young MC stars in 'Rise Of The Footsoldier: Vengeance'
Denzel Washington romance with younger woman removed from ‘The Equalizer 3’
In an earlier version, vigilante hitman Robert McCall falls in love with an Italian waitress
‘Past Lives’ review: forget Barbenheimer, this is the summer movie you need to see
Celine Song's quiet, clever drama blows your fave blockbusters away
Neil Maskell on his cryptic thriller ‘Klokkenluider’ and playing Churchill again in ‘Peaky Blinders’
The British actor is stepping up as writer-director for the first time
Antoine Fuqua considered de-aging Denzel Washington for ‘The Equalizer’ origin story
The director was inspired by Harrison Ford in 'Indiana Jones And The Dial Of Destiny'
If you liked ‘Dopesick’ you’ll love new Netflix pharma drama ‘Painkiller’
Yet another TV show about America’s opioids crisis drops this week on Netflix
Soundtrack Of My Life: David Cross
Quirky comic and mosh pit veteran, blue'd himself on 'Arrested Development'
Henry Cavill’s final episodes of ‘The Witcher’ prove he’ll be sorely missed
Is there a future for Netflix's favourite fantasy without its dashing figurehead?
“It was unplayable”: ‘Oppenheimer’ composer Ludwig Göransson wrote Nolan’s toughest score yet
Inside the tricky process behind his epic soundtrack