Sean Ono Lennon has defended a famous photograph of his father John and Yoko Ono with a maid, claiming it was not taken with ironic intent.
- READ MORE: The Big Read – Yoko Ono: Imagine The Future
The musician responded to an image of John and Yoko at one of their well-known “bed-ins”, standing by a maid in the process of making their bed. The couple held this particular “bed-in” at the Amsterdam Hilton Hotel in March 1969 to protest the Vietnam War.
In response to a tweet captioning the photo saying “the irony should not be lost”, Sean replied: “There is zero irony in letting a maid do her job. Thinking otherwise is a very goofy take. They were not protesting maid service.”
Sean went on to say that “many people don’t seem to know what irony is,” adding: “Protesting a war while being in a honeymoon suite with maid service is not irony, it is absurdity, or comedy. To be ironic they would have to have protested the war while driving a tank. Now THAT would’ve been ironic. Thank you.”
When someone pointed out the irony of the “bed-in” itself being a “spoil of capitalism” – ironic given John and Yoko’s complaints of American capitalism pushing back against communism – Lennon called the opinion a “boring kind of gotcha”.
“You could make this same kind of argument for anyone wearing jeans at a war protest. Like ‘Omg isn’t it ironic you used a sharpie marker to write that anti war sign?!’” he explained. See Sean’s full analysis down below:
There is zero irony in letting a maid do her job. Thinking otherwise is a very goofy take. They were not protesting maid service.
— Seán Ono Lennon (@seanonolennon) April 22, 2026
Many people don’t seem to know what irony is. As the Alanis song should have taught you, ‘rain on your wedding day,’ is NOT actually ironic, it’s just a bummer. But getting married in a divorce court? Now THAT would be ironic.
So protesting a war while being in a honeymoon suite… https://t.co/AnuwzvMAhO
— Seán Ono Lennon (@seanonolennon) April 22, 2026
You could make this same kind of argument for anyone wearing jeans at a war protest. Like ‘Ong isn’t it ironic you used a sharpie marker to write that anti war sign?!’ It’s just a boring kind of gotcha.
If you want to go this deep and try and reframe everything as ironic, yes…
— Seán Ono Lennon (@seanonolennon) April 22, 2026
We spoke to Yoko Ono in 2018, where the experimental artist and musician talked about the legacy of her Imagine Peace Tower, which beams a light from Winter Solstice until New Year’s Day in Reykjavik. “I have plenty of hope still,” she told NME‘, “Large as the Atlantic Ocean”.
Meanwhile, Sean has continued to preserve the legacy of his parents by working on multiple films and album projects. He has previously said he wants to “help make sure that the younger generation doesn’t forget about The Beatles and John and Yoko”, adding: “My parents gave me so much that I think it’s the least I can do to try and support their legacy in my lifetime. I feel like I just owe it to them. It’s a personal thing.”
Sean recently helped to produce The Beatles Anthology, a remastered version of a 1995 documentary series that expanded it from eight episodes to nine.
He also oversaw the production of ‘Mind Games’ reissue boxset, an album originally released during what he described as a “really terrifying” period for his parents, and the documentary film One To One: John & Yoko.
The “legendary” ‘Power To The People’ concert film – documenting of the ‘One To One’ concerts that the couple held at New York’s Madison Square Garden on August 30, 1972 – will also soon hit cinemas worldwide thanks to Sean.
Elsewhere, Sean Ono Lennon has reflected on the “legendary love” between parents John and Yoko: “He was so in love with her”.