Sarah Mary Chadwick: “I always thought taking responsibility for things was just feeling bad about them”
The New Zealand musician closes a trilogy and exorcises a “massive clusterfuck of a year” on new album ‘Me & Ennui Are Friends, Baby’
Nick Buckley
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Ex-Olympian – ‘Afterlife’ review: Melbourne groove-journeyman builds a fantastical neo-soul world
Liam McGorry (Eagle and the Worm, Saskwatch and Dorsal Fins) makes his solo debut
Mildlife: Möbius strip funk conjurers dream in the face of tech dystopia
The Melbourne band’s new album ‘Automatic’ should have marked a triumphant return to the world’s dancefloors. But in lockdown, its deeper messages have been reinforced
Cub Sport: “There’s a lot of guilt tied to religion that doesn’t need to be there”
The Brisbane band reckon with their religious upbringings and get free on their new album ‘LIKE NIRVANA’, a work of striking bravery and vulnerability
Kllo, Melbourne cousins and masters of mood: “Family and business are two very different things”
Their bond was almost broken, but Chloe Kaul and Simon Lam’s new album ‘Maybe We Could’ is a touching document of reconciliation
Leah Senior: Melbourne folk songwriter embraces nature, mystery and the metaphysical world
She might be anxious about the future, but on her new album ‘The Passing Scene’, she’s tapped a new well of creativity
G Flip: “There’s no difference between G Flip and Georgia Flipo. They are literally the same person”
In the age of COVID-19, artists are being asked to share more than ever. G Flip is happy to let people in on the intricacies of her life – but sometimes, there are consequences
Donny Benét: “I’m not interested in carbon-copy pastiches of ’80s music”
He’s a glistening, unabashedly romantic human disco ball. But there’s more to this cult Sydney artist than pink suits, pungent cologne and ’80s worship