Kiana V on her new EP ‘Dazed’, a “soft exploration of how self-love affects the love we’re able to give others”
The Filipino neo-soul singer talks facing her insecurities, the best advice she’s given her father Gary Valenciano and more
Khyne Palumar
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Director Rae Red on thriller ‘Tenement 66’: “I wanted to do it purely for entertainment but I couldn’t avoid politics”
The Filipino filmmaker talks her follow-up to ‘Babae At Baril’, writing from the fringes and being a Red progeny
‘A Girl And A Guy’ review: Erik Matti’s raunchy drama takes time undressing its… heart
The Filipino director’s new film has its moments – but it’s not his finest work
Six things to know before binge-watching ‘Trese’, according to Budjette Tan, Kajo Baldisimo and Liza Soberano
NME’s pre-watch primer to the Pinoy horror comic adaptation
Reese Lansangan: “The best way to affect people is to be authentic to myself first”
Six years after her breakout debut ‘Arigato, Internet’ (and some experimental releases in between), the Filipino indie artist returns with new album ‘Time Well Spent’
‘Dito At Doon’ review: nuanced rom-com captures the paradox of the pandemic
Director JP Habac’s love-in-lockdown film is bigger on the inside
Noa Mal: Filipino lo-fi indie rocker finds “freedom in writing, not fear”
The ‘sadcore’ singer-songwriter is building a dedicated audience with vulnerable, unpolished songs recorded from her Lucena City bedroom
Director Erik Matti on the sequel to ‘On The Job’: “Yes, it’s an angry movie”
Nearly a decade after the first movie, Matti is back. The Pinoy filmmaker talks political angst and behind-the-scenes exclusives ahead of the hotly-anticipated release of ‘On The Job 2: The Missing 8’
Pinoy funk-jazz muso Paolo Garcia becomes Parallel Uno: “Blazing new paths is the artist’s way”
The artist formerly known as Pasta Groove talks his turbulent 2020 and honouring his father and uncle’s musical legacy in Hotdog