JX Soo
JX Soo has been writing for NME since 2021, with a focus on Japanese and Asian music scenes. They previously founded and wrote for Singaporean independent webzine Big Duck Music. They also have a photographic-based visual arts practice, and has vowed to never become a DJ.
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The Lumineers to perform in Singapore in November
Part of the band’s year-long tour in support of their fourth record, ‘BRIGHTSIDE’
Tricot embrace positivity on driving new single ‘Aquarium’
Off their upcoming seventh effort, ‘Fudeki’, due this December
Joji announces solo show in Thailand
The 88rising artist will perform at Muang Thong Thani's Thunder Dome in December
The 1975’s Matty Healy hits out at triple j over Australian tour announcement
“Play our music then before you start licking our arse just cos you’ve finally realised we’re mint,” he wrote on Instagram
Marian Carmel, KHAi, Jean Seizure, RENE and more to play showcase in November at the Esplanade
‘A full on concert w my besties!!!!!’, Carmel commented on Instagram
Joan, Hindia, Teddy Adhitya to headline Jakarta’s Stereo of Space event in November
The festival is billed as a “multidimensional music festival”
BINI reschedule album showcase due to health reasons
Their second album, ‘Feel Good’, drops today
Neck Deep announce mini-tour of Indonesia in November
The Welsh pop-punk outfit last visited Southeast Asia in 2018
Neck Deep, Plain White T’s, MONO to headline Indonesia’s Soundrenaline Festival
The festival's first event since 2019 finds themselves back in Jakarta
Hong Kong submits Tony Leung-starring crime thriller ‘Where the Wind Blows’ for the Oscars
‘Where the Wind Blows’ is one of the most expensive Hong Kong films of all time
Zild announces upcoming third album, ‘Medisina’
Featuring previously released singles 'Duwag' and 'Isang Anghel'
CURB: Passionately grounded indie rockers defining Singaporean emo for tomorrow
On their poignant debut ‘Hope You’re Doing Well, Michaela’, the Singaporean trio introduce themselves with visceral synergy and emotional honesty, delivering a confessional ode to growing up in the city-state