Body Type – ‘Everything Is Dangerous But Nothing’s Surprising’ review: a thrilling, self-possessed debut
The Sydney post-punk band’s first album is a riveting exercise in contrast and connection
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The Sydney post-punk band’s first album is a riveting exercise in contrast and connection
The Sydney artist’s debut album captures anxiety and turmoil with vivid, textured dream pop
On their first album in six years – and their first as a three-piece – Dorsal Fins start strong but lose momentum
On this EP, the Sydney quartet’s songwriter Astari Mudana emerges as a canny, detail-oriented lyricist
Members of Cool Sounds and Studio Magic tell playful tales and reflect on the concept of home on this debut album
The Hong Kong-Australian art pop artist talks to NME about her new project, out today, which draws on retro Mandopop and Cantopop
The Wiradjuri/Filipino artist has always tapped into vulnerability, but her mini-album still surprises with its therapeutic intensity
Jonnine Standish and Nigel Yang’s gradual, yearslong efforts to distil their sound to its essentials culminate on their fifth album
A consistently and sometimes subtly experimental record from the veteran singer and the funk/soul band
Duets with the likes of Sarah Mary Chadwick, June Jones and Jonnine Standish, all draped in elegant disaffection
Damning understatement and self-deprecation mingle on the singer-songwriter’s second record, produced by Jen Cloher
Melbourne five-piece fold their societal critiques into bright bouncy songs