Pinch Points: “We’re angry because there are things in the world worth improving”
The Naarm/Melbourne post-punk outfit rage against the machines on their second album ‘Process’
Belinda Quinn
Warwick Thornton talks new series ‘Firebite’, a vampire rock ’n’ roll romp inspired by chilling history
The acclaimed auteur on turning dark history into a badass series about Indigenous vampire hunters and its “obnoxiously awesome punk” score by members of The Drones and Dirty Three
The Last Martyr keep listeners on their toes with new EP ‘Purgatory’
Vocalist Monica Strut talks the Melbourne band’s cohesion concerns, “intangible” chemistry and why pop-punk isn’t for her
Ladyhawke: “I kept saying, ‘Am I going to die?’ and the doctors couldn’t say no”
The New Zealand dance pop artist talks her cancer battle, homophobia in the music industry and her new album ‘Time Flies’
Mess Esque – ‘Mess Esque’ review: a rich, meditative work from Dirty Three guitarist Mick Turner and Helen Franzmann
The duo’s second collaborative album offers thoughtful, restrained rhythms and experimental sounds
Five steps to making a good comedy, according to ‘Ride The Eagle’ director Trent O’Donnell
The Aussie director and producer from ‘The Chaser’s War On Everything’ and ‘New Girl’ shares tips and unpacks his first feature film starring Jake Johnson
How ‘Anonymous Club’, the intimate new documentary about Courtney Barnett, was made
Director Danny Cohen on the three years he spent making the film ahead of its premiere at Melbourne International Film Festival
Melbourne lo-fi indie duo Armlock share debut EP ‘Trust’: “Music is always there to scream into”
Simon Lam (of Kllo) and Hamish Mitchell, former bandmates in I’lls, unpack their new collaborative project for NME
‘Eden’ creator Vanessa Gazy tackles the Stan mystery series’ unanswered questions
The Australian writer-producer on cults, Hedwig and Scout, and trauma. Spoilers ahead!
Australia’s ‘Eurovision’ 2021 representative Montaigne: “Performance is a way to escape”
Ahead of the first semifinal of the long-delayed extravaganza, the maximalist musician talks vocal training and ‘Technicolour’, her entry for this year’s Eurovision Song Contest
Ali Barter’s new ‘Chocolate Cake’ EP is a “a sonic mash-up of feeling”
The Melbourne-based grunge-pop artist talks capturing the “fucked-up-ness” of 2020 in her new songs, being a restless person and her changing relationship with shame
‘2067’ director Seth Larney: “The power of story is more important than it’s ever been”
The Australian visual effects specialist turned writer-director talks his climate change sci-fi film, now streaming on Netflix