The Blur frontman's new project is inspired by the landscapes of Iceland
"You need to work with people who are kindred spirits."
The Good, The Bad & The Queen’s latest album ‘Merrie Land’ took the temperature of the country and was a melancholic ode to a Britain scarred by toxic politics and divisive ideologies. Nine months later, tying in with the anniversaries of ‘Parklife’ and ‘London Calling’, Jordan Bassett meets Damon Albarn and The Clash’s Paul Simonon to hear what’s changed